A Post-Election Triptych
Friday, 04 October 2024 11:34

A Post-Election Triptych

Published in Poetry

Fourteen Years

Fourteen years have torn the nation’s soul,
Ripped it apart & warped it with hate,
History will recount the Tory toll.

Austerity, Brexit, Windrush, Grenfell,
Atos, Partygate, Do Not Resuscitate—
Fourteen years have torn the nation’s soul.

Social murder of 300,000 souls
Defenestrated from the welfare state—
History will recount the Tory toll:

Duncan-Smith, Miller, Coffey, Stride: roll
Of dishonour scratched on a suicide slate—
Fourteen years have torn the nation’s soul.

Foodbanks, homeless spikes, poor doors: portals
To Osborne’s Brutannia, May’s hostile template,
History will recount the Tory toll.

The fourteen-year trauma in rhetorical scroll:
FIT FOR WORK. MAKE WORK PAY. STOP THE BOATS. HATE
MARCHES. SICKNOTE CULTURE
—score the nation’s soul.
History will recount the Tory toll.

 

The Spanish Plume (¡No Pasarán!)
On the far right anti-immigrant riots of 30 July-5 August 2024

¡No Pasarán!
¡No Pasarán!

To those who want their country back
All over again
Who want to stop the boats
The immigrant Armadas

Post-Southport
Colophon
¡No Pasarán!
¡No Pasarán!

White riots & arsons of hostels
Giving refuge to refugees
The pearl-before-swine white &
& gammon red
Of the St George Cross
The florid grimace
The shaven head

(The Butcher’s Aprons
That prop up a principleless prime minister
Patriotic optics
Of this empty suit
Who puts “country” before “party”
In his Government of “Service”
At the travestied altar
Of failed austerity)

Race riots
What was it Enoch Powell once said…?
Now frog-faced Farage
Nazi-cut Tommy Robinson
(Stephen Yaxley-Lennon)
With his Agincourt haircut
& his EDL Lads
Of Dale & Fell
Come to tramp our standards down

¡No Pasarán!
To these tinpot fascists
& Greggs-sated racists
Temperatures creeping up
As the Spanish Plume turns England’s rump
Boiling crimson
To a gammon shank,
A piglet on a spit.

 

[Note: Spanish Plume: a plume of warm air that we experienced in August 2024
¡No Pasarán!: They Shall Not Pass! Anti-fascist slogan of the Republican side in the Spanish Civil War (1936-39)]

 

He Never Promised Us a Rose Garden

It started there fourteen years ago
The rosettes were blue & yellow then,
Now the rose is red—though fast-fading
To compromising pink, almost purpling—
But the rhetoric is as thorny as before,
Pricked with hackneyed tropes once deployed
To precipitate austerity;
Now, the government, under the banner
Of Labour (but Labour In Name Only:
LINO), even lack the imagination
To use their own idiolect to announce
A recursion of cuts, trot out exactly
The same prickly phrases:
“Difficult decisions”, “tough choices”,
“All in it together" (haven't we all heard
That one before? & taken the punchline
Straight on the chin), & what we all
Desperately hope (though hope is not something
He promised) is actually meant this time—
That: “The biggest burdens” will fall
On “the broadest shoulders”—will they,
This time? Or is this code once again
For not-very-covert evisceration
Of the tattered remnants of the welfare state?
Too terrible to contemplate—
October bodes ominous: another butcher’s
Budget, Reeves taking a fiscal cleaver
To everything... The latest Starmerite
Betrayal as he straps himself into his
Blue-&-white-striped apron... “Country
Before party”... everything, seemingly,
Before party, until he forgets which party
He’s supposed to be leading...
But would it be betrayal? He might
Have sloganeered on a ticket of “Change”
But he otherwise made few promises,
Offered caution & stability,
I.e. more traditional Conservatism,
Less chaotic (emptily patriotic,
Cue ubiquitous Union Jacks that flank him
Wherever his flushed poker face surfaces),
But he never promised us a rose garden.

The Holding Pen
Friday, 04 October 2024 11:34

The Holding Pen

Published in Poetry

The Holding Pen

by Rita Ann Higgins

When did we become
so filled with anxiety and fear
at the prospect of a holiday in the sun
or a visit to friends abroad?

It’s your fault if you’re early
it’s your fault if you’re late
it’s your fault if you’re old

Its written on your boarding card
‘you are to blame, do the walk of shame’
it’s slow and it’s hot, it’s a crawl and it’s not.
Rest easy, we will manage you.
We will triage you
steel barriers, steel gates,
stay within fences, stay in.
We’ll put you in the holding-pen.
(Aka the welfare zone)

You are our lab-rats
when we say run, you rat run
when we say wait at the gate,
you say, how high?
When we say wait in the holding pen
you wait, we win.
Queue up and shut up.
We are not the housing department
but we will put up a bad-weather cover
on the pen.

It’s your fault if you have kids and no husband
It’s your fault if you are in a wheelchair.
It’s your fault if you have autism.

Achtung: this is your airport
We will triage you to within an inch of your life.
Long haul with luggage
we’ll put you in the pen
Short haul with luggage
we’ll put you in the pen.

Bring proof, bring toilet paper
the proof has to go through
the bad weather-roof.
Reams of print-outs to prove
you have a flight booked
and you’re not just a tire kicker
here for the three-star holding-pen
(aka the Welfare Zone).

If you have a bag and a half
on the short haul
to drop in the bag-hole
arrive often but not too early.
If you have two and a half bags
on the long haul
to drop in the bag-hole
arrive the day before
but not before the witching hour.

Look what we are doing for you,
we’re giving you a steel pen
Gates and barriers
we’ll guide you
we’ll divide you
we’ll corral you
we’ll steer you in.
All you have to do it queue.
We’d do it for cattle
we’d do it for sheep
we’d do it for pigs
why wouldn’t we do it for you?
View it as a rat run
Get in.

dole queue

Photo: Johnny Void

west bank wall balloon girl
Friday, 04 October 2024 11:34

Art, activism and the cultural food chain

Published in Cultural Commentary

Susan Jones outlines how activism can help artists in an age of austerity and widening gaps between rich and poor.

The so-called golden age of arts funding gave way to debilitating austerity, felt particularly by artists who are now at the end of a long food chain, divorced from arts funding and policy decision making. But when did these divisions start, and how can artists use activism to create meaningful change for the future?